This is a TV story. No wait, it's a Radio story.

Stop, It's a little of both.

Michael Couzens

NTA 2nd quarter 2022 newsletter

             In 1999, Jeremy Lansman re-programmed KZND-LP, Channel 6, in Anchorage, Alaska to offer a "modern rock" radio format. A genius radio engineer, Jeremy recognized that the aural carrier on a Channel 6 at 87.7MHz was right next to the noncommercial FM band at 88.1 to 92.1 MHz. Most car radios had cheap tuners, and if you tuned counterclockwise to the bottom they could easily receive 87.7 as a separate channel. The station owners promoted this format and positioned it as "the End". The rest of KZND was filled with a slide chain or pretty travelouge pictures and later, with a live studio camera.

           This idea of a TV Channel 6, walking and talking and warbling like a radio station, caught on with other Channel Sixes, in Hawaii and the lower forty eight. The radio establishment of course was horrified, and eventually came to brand these services as "FrankenFM". A better label might have been "FreshenFM" because they presented a wholesome new breeze into a channel group that had been static since 1948. Everywhere that they opened for business these stations drew competitors' complaints and condemnations at the FCC.

           The gripes from the established radio stations always were more theatrics than substance. Arbitron, the monopoly provider of radio ratings, never included the 87.7 broadcasters in it's ratings. Without a rating book to show the size of a listener audience, the stations are hard pressed to sell their advertising time.

           Whatever you called them, the Channel 6 FM'ers presented one of those classic situations at the FCC where technological change was running far ahead of the ability of the regulators to deal with it. These were TV stations under the jurisdiction of the Video Division. But they were functional FM stations, which fall under the jurisdiction of the Audio Division. For years the FCC did nothing.

        It was recognized that the use of Channel 6 for radio was an artifact of good old NTSC, which used FM for its sound component, so that the DTV transition (to ATSC 1.0) would wipe out these facilities anyway. But then manufacturers designed equipment that would preserve the 20khz FM chunk at the top of the band, transmitting at 87.75MHz, while transitioning the rest of a channel 6 to DTV.

       Initially the FCC indicated that they would band this workaround. In 2014 it issued a notice asking all the right questions to adopt some kind of policy governing these services. The following year, after massing a record with an expanse of comment for and against, they declined to decide the question.  But a number of stations had already put the new technological fix into effect, and asked for waivers. In 2021 a total of 13 Channel 6 stations were granted six-month special temporary authorizaitons, under several restrictions, to condunue their aural services while transitioning to DTV. The STA's are regularly extended.

      Finally, on June 7 of 2022, some twenty three years after the KZND-LP as radio station launched in Anchorage, the FCC adopted what may be the definitive notice of proposed rule making, seeking public comment on the path forward for these facilities. The Notice is basically an option paper. The Agency could ban them outright. It could OK the current group of 13 under strict conditions. Or it could open the door and permit others to provide this service. And, most intriguing, the FCC asked if it should re-allot all vacant Channel Sixes throughout the country, in their entirety, re-alotting the six MHz from 82MHz to 88MHz to form twenty new 20kHz channels for FM radio. (The same redesign could apply equally to the next TV channel down, Channel Five, 76MHz to 82MHz, but that is not up for discussion in this notice)

     Predictably pubic comment on this notice, like the 2014 public comments, will be all over the place. These stationswill be lauded for the original and fresh program concepts, and for their contribution to diversity of radio ownership. They will be condemned as an unfair workaround of the rules and a retrograde threat to the recently comleded and smooth DTV transition for low power television. Looking ahead, the next generation TV standard, ATSC 3.0, has great flexibility to slice up a single 6 MHz low power television for lots of different services. But a special carve-out for clunky old Frequency Modulation sees oddly out of place.

     It does seem clear that, going forward, the cadre of thirteen privileged stations operating under STA's will not be sustainable. That they add something significant to the mix of commercial radio broadcasting would be, at least, hard to demonstrate or to measure. If they are permitted to carry on, there is no rational basis to exclude others willing to make the same investment. And STA's are not viable as a forever approach to licensing. If they are grandfathered, it will have to be under orderly, detailed new rules.

You, dear reader, can participate in this rule making, andn offer your comment, note or letter. The electronic comment system is located at
https://www.fcc.gov/ecfs/filings/standard  
In the space for proceedings, Enter the docket number 03-185. You can find the Notice in several ways, under its labeling as FCC 22-40, for example, at FCC.Gov/EDOCS/.


Michael Couzens, NTA, June 2022
Oakland, CA
cuz@well.com

The FCC Allows 14 FM6 Stations to Stay on the Air - Radio World
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The FCC Allows 14 FM6 Stations to Stay on the Air

But it declines to allow other such “Frankens” or to repurpose Ch. 6 spectrum

Fourteen low-power digital TV stations in nine states can continue to provide analog radio services at the bottom of the FM dial, under a plan approved unanimously by the Federal Communications Commission today.

They essentially are grandfathered in after a two-year trial period, thus resolving a longstanding regulatory question about whether the radio-like operations of “FM6” or “Franken” stations were appropriate given their TV licenses.

But in taking this action, the commission declined to make more substantial changes in the use of the 82–88 MHz spectrum.

National Association of Broadcasters President/CEO Curtis LeGeyt called the outcome a “fair and efficient resolution” and said it would “protect Channel 6 television operators while recognizing the audience built by existing FM6 stations.”

We previewed this vote earlier this month.

No more baling wire

The commission said the radio programming of these stations had “a long history of public interest benefits.”

The practice apparently began in the 1980s, and at one time about 30 such stations were operating, aiming to reach listeners whose radios could pick up Channel 6 audio spectrum just below the licensed FM dial.

Some broadcasters felt it was a dubious or illegal practice; but looking back on it in issuing her statement today, Chairwoman Jessica Rosenworcel sounded approving: “Ultimately this led to more broadcast services to more people in the community.”

But after the 2021 LPTV digital transition, newly digital stations that had been providing FM6 service were no longer able to reach analog radio audiences through these TV transmissions.

However, 13 stations remained on the air under special temporary authority, subject to a set of rules laid out by the FCC for this situation. Among other things they had to convert to ATSC 3.0 digital; provide at least one video stream on the ATSC 3.0 portion; operate on a non-interference basis; and provide audio and video coverage to similar populations.

Rosenworcel said that this kept the stations on the air “with the equivalent of regulatory gum and baling wire. Now it is time for something sturdier and more permanent.”

She said, “We have had two years of experience with this arrangement and no incidents of interference with television operations and adjacent licensees, including other stations on FM radio. … [W]e know in a world where content feels like it is everywhere, there is still something special about local radio and a signal in the air.”

Those 13 are grandfathered in as ancillary or supplementary services. They are KBKF, San Jose, Calif. (whose STA request appears to have set the precedent for this group); WMTO, Norfolk, Va.; KXDP, Denver, Colo.; WTBS, Atlanta, Ga.; WRME, Chicago, Ill.; KZNO, Big Bear Lake, Calif.; KEFM, Sacramento, Calif.; WEYS, Miami, Fla.; WDCN, Fairfax, Va.; KRPE, San Diego, Calif.; KGHD, Las Vegas, Nev.; WPGF, Memphis, Tenn.; and WNYZ, New York, N.Y. Most if not all of them operate on a commercial basis.

The FCC also will allow WVOA in Westvale, N.Y., which it allowed under special circumstances; the station will have to operate under an STA until the commission determines that interference won’t be an issue.

But the order declines to allow other past FM6 operators to come back on or allow new ones. WJMF in Jackson, Miss., and KBFW in Arlington, Texas, are two that wanted to resume service but won’t be allowed.

Public service cited

The commission wrote that the 14 approved broadcasters have maintained a close connection with the communities they serve through their programming. “Listeners have tuned to existing FM6 LPTV stations for foreign language, religious and sports programming; programming intended to support historically underserved populations such as native Spanish speakers, immigrant populations; and programming designed for niche music audiences. In addition, existing FM6 LPTV stations provide emergency and public safety information that their listeners have come to rely upon in times of disasters.”

Rosenworcel name-checked WDCN in northern Virginia near Washington, D.C., citing its programming to people tied to Central America including El Salvador, Honduras and Guatemala.

Most of the STA requirements will remain in place as permanent rules for the 14 stations. The commission believes this will ensure that the stations “are first and foremost LPTV stations and that their video programming stream is prioritized over any audio stream,” rather than operating with minimal video services.

The stations must operate on 87.75 MHz; the FCC declined to allow any at 87.7. They must be able to air EAS alerts separately on both their television and their FM6 operations. And although LPTV stations are not required to maintain online public inspection files, they’ll have to keep one for FM6 operations.

Under the order, these FM6 stations can be assigned or transferred. Modifications to their technical facilities are allowable only within their current protected contour or in special circumstances like loss of a tower site.

The FM6 stations had picked up the moniker “Frankens” after Radio World began using a term that had appeared on an engineering listserv. The name referenced what some saw as an unholy pairing of two types of broadcast licenses, akin to the cobbled-together nature of Frankenstein’s monster.

The commission did not accept a proposal from NPR to repurpose the 82–88 MHz spectrum for FM services in locations where channels are not being used for TV programming.

And it did not act on an NPR proposal to allow existing NCE FM stations to relocate to 87.9 MHz. “As this change could impact our revisions to the TV6 interference rules, we find that it would be more appropriate to consider NPR’s proposal in conjunction with a future TV6 interference proceeding.”

[Related: “The Tech Behind Franken FMs V2.0”]

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